The Palace Hotel is a traditional style of pub in Melbourne. While there’s a few big screen TV’s to watch sports on, everything else focuses on building a great atmosphere for socialising. It’s also free of pokies (poker machines), that plague of money sucking zombie makers that have turned suburban pubs and clubs into boring soul-less boxes.
Hidden upstairs at the Palace is a beautiful open dining room for private functions, the type where you can easily picture a long wine soaked lunch with super-important people and it is here that there’s a private room. Completed with two humourous murals based on the classic ‘dogs playing poker’ pictures hanging in pubs the world over.
The Palace Hotel in South Melbourne has a secret room upstairs, with two new murals to compliment the space. I’ll post better photos once the mini-renovation project is complete.
This is the largest (non-graffiti) painting I’ve completed to date. Painted on two large, light weight ply doors the piece is 2m high x 164cm wide.
Since my short period working in advertising I’m acutely aware of the tricks used to mislead people about body image and beauty. I started by painting a portrait, similar to what you may see in a full page ad in a fashion magazine, then destroyed it. The result is a sequence of textures and layers, not unattractive, but not a celebrated reflection of aspirational beauty.
Moving from Brisbane to Melbourne a few years ago, good pubs make the winters here bearable. My local pub is a classic warm friendly place with an honest menu and great beers from dedicated brewers…and it’s free of poker machines! (*I’m not anti-gambling but those machines ruin the atmosphere and are a source of misery in many places; keep them in the casino’s)
I jumped at the opportunity to contribute a bit of artwork to one of the courtyards. Based on an old advertising board from the 1930’s I recreated a classic Melbourne Bitter ad. The original ad looked strangely like an old American prairie scene with an Aussie ‘digger’ overlayed with the iconic Melbourne Bitter label.
If you live in or are visiting Melbourne pop in for a visit
I’ve always enjoyed the immediacy of spray paint. Working quickly is a luxury while working fulltime and trying to pursue painting in my spare time.
The challenge with spray paint though is scale (it’s best suited for larger works) and texture. Spray paint is typically quite flat. Stencil artists overcome this by letting a little over spray or drips through their stencils or masked areas. More traditional graffiti character masters often take the approach of highly rendered illustrations replicating the smoothness of air-brushing, or larger works that are like hyper-realism.
With these sketches I’m trying to work quickly, on a smaller scale with a soft technique rather than solid colour, enjoying the natural drips and marks of the spray paint rather than hiding them. There’s been a lot of absolute failures, here’s one or two that are kind of moving in the direction I like.